Creative Chaos: The Bold Type

Follow @jela.latham.indd for the most up-to-date reviews

Since I first watched Meghann Fahy in The Bold Type back in 2021, I haven’t stopped following her work. I loved her character Sutton because I saw myself in her. When I was a little girl, I wanted to be a fashion designer more than anything else. I filled sketchbooks, learned to sew from my third-grade teacher, and collected every fabric sample I could get my hands on. Sutton was raw, full of life, and—dare I say—bold. Her most recent project, Sirens, kept my attention on her every line and every move.

Meghann Fahy has steadily risen in the entertainment industry, showcasing her versatility and depth as an actress. Beginning her career in theater, she gained recognition for her role as Natalie Goodman in the Broadway musical Next to Normal. Transitioning to television, Fahy captivated audiences with her portrayal of Sutton Brady in the popular series The Bold Type, where she demonstrated both comedic timing and emotional range. Her recent performance in The White Lotus further highlighted her talent, earning critical acclaim for her nuanced and compelling presence.

Over the years, Meghan Fahy’s diverse roles and consistent growth have established her as a dynamic and respected figure in both television and film. Fahy doesn’t just inhabit her characters—she blends them seamlessly with elements from past roles, while staying grounded in her theatrical background. These qualities keep her resilient and versatile, which keep fans coming back. Her authenticity shines through every time, without fail—a rare trait among actors today—and one of the reasons the spotlight finds her so easily. Fahy truly loves her craft and takes it seriously, without taking herself too seriously. That balance is what keeps her steady in life and on set.

I think she is one of the most relatable people I’ve ever felt connected to—without even meeting her. She’s been open about her insecurities regarding her looks and shared love for Avril Lavigne growing up. She is so fascinatingly relatable that I feel eager to see whatever project she takes on next. I would love to see her as a series regular in a modern mystery or crime show soon. Her work in Sirens and A Perfect Murder leaves me wanting more every single time. Unfortunately, I feel Netflix often gives these limited series unsatisfying endings after such suspenseful buildup—she deserves more.

Her upcoming projects I’m most excited for are You Deserve Each Other, alongside our favorite “lonely boy” Penn Badgley, and The Good Daughter, which looks like another suspenseful limited series. After this, I’d love to see her take on something even bigger—something in the spirit of Drop but blending the glamorous charm we love with that electrifying, closed-off woman she portrays so well.